They are also the last songs recorded by the original Van Halen lineup of Eddie Van Halen, Alex Van Halen, Roth and Michael Anthony. The Van Halen brothers would not record again with Roth until the album A Different Kind of Truth, released in 2012. Anthony has not played with Van Halen since the band's 2004 tour. 1978 - Van Halen 1979 - Van Halen II 1980 - Women And Children First 1981 - Fair Warning 1982 - Diver Down 1984 - 1984 1986 - 5150 1988 - OU812 1991 - For Unlawful Carnal Knowledge 1995 - Balance 1998 - Van Halen 3 2012 - A Different Kind Of Truth Studio Albums 1978-1984 (HDCD Remastered 2000) 1978 - Van Halen 1979 - Van Halen II 1980 - Women.

In addition to the main section for Van Halen bootlegs, additional pages are maintained for solo recordings from,, and the band. Please read the before sending me e-mail asking all sorts of questions. Each title name in this discography is a link to an additional page of details. Most of the titles have scans of the artwork, and notes about the sound quality.

A complete listing of all titles in this discography is also maintained and may be downloaded. This list is by no means complete, here is a of other recordings known to exist and the details that are available about them. If you have any of these items, please submit an entry for it, so it can be included in this Discography. Or or or or or.

Reinventing proved to be a tricky task, so proceeded to reunite the banda move so obvious it should have come as no surprise that it was easier said than done. Was brought in for a 2004 hits album and an accompanying tour, a project that collapsed in acrimony so noxious that founding bassist left with the Red Rocker. Brought in his son as 's replacement and began a prolonged courtship of that first led to a tour, and then to this,, the band's first album in 14 years and their first with in twice that long. That's a long time, but the roots of stretch back even further, with several songs originating from demo tapes made before their debut, and the rest consciously written in that style. No synths are to be found anywhere on the record, they've been swept aside along with 's bedrock eighth-note thump and 's radio-ready pop polish, stripping down to their core: a duel for attention between.

Where enabled 's ambitions, unleashes the guitarist's id, taunting him to play faster, harder, tougher, then fighting for space between unwieldy riffs. Certainly, there are hooks here, even some with pop propulsion, but the unexpected signature of is its heaviness, its 13 songs of loud, unrelenting rock. The only time it comes up for air is on 'Stay Frosty,' with its acoustic intro deliberately evoking memories of “Ice Cream Man.” Of course, the entirety of this comeback is designed to revive the spirit of the first five or six records, and building the album upon those old demos turns out to be a savvy move, as they not only saved promising songs, but re-oriented the band, pushing them toward their essence. It’s akin to digging up unfinished songs and completing them for an expanded reissue of but in reverse: instead of trying to fit into the past, are using their history to revive their present and they succeed surprisingly well on.

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